Composer | Title | Year | Instr | Extras | Link |
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Sheree Clement | A Quick Hello | 2024 |
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Sheree Clement | Table Manners for high and low voices | 2024 |
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Sheree ClementTable Manners for high and low voicesTable Manners, a comedic duet or duel for two sopranos and 40 pounds of silverware, about friendship, competition and greed. In the livestream premiere a viewer described the work as ‘whimsical, passionate, intriguing, voluptuous... |
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Sheree Clement | Vocalise for the Naked Emperor | 2023 | n/a | ||
Sheree Clement | Mermaid Songs | 2023 |
Sheree ClementMermaid SongsThree vivid, funny and forthright songs about not giving up your dream to be a mermaid, friendships with sea urchins, champagne cocktail parties and chemotherapy. For female voice and string quartet. Text by Heather Hartley, from her book of poems, Adult Swim. Commissioned by Ariadne Greif and the Momenta String Quartet, Mermaid Songs is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Premiere October 15, 2024, at Symphony Space, in NYC. |
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Sheree Clement | Fast Fish | 2023 |
Sheree ClementFast FishAn ode to freshwater fish. In four scenes, evoking sparkling ponds in spring, pristine streams, the grief from losing a fish population from overfishing and the gentle movement of magnificent Brook Trout huddling in a deep pool in hot, dry August. |
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Sheree Clement | Teeth | 2021 |
Sheree ClementTeethTeeth, a short monodrama for piano, spoken word and fixed media, set in the year 2020, in which a woman faces her mind-bending isolation and struggles to comprehend the epidemic of death. Eliza Garth premiered it at Merkin Hall in March, 2023. The text for the work begins with this East African proverb, translated by A. M. Juster, continues with the traditional hymn, ‘Open My Eyes, That I May See’, and includes additional text by the composer. |
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Sheree Clement | Table Manners - for two high voices | 2020 |
Sheree ClementTable Manners - for two high voicesTable Manners, a comedic duet or duel for two sopranos and 40 pounds of silverware, about friendship, competition and greed. In the livestream premiere a viewer described the work as ‘whimsical, passionate, intriguing, voluptuous... |
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Sheree Clement | Stories I Cannot Tell You | 2016 |
Sheree ClementStories I Cannot Tell YouA lyrical, charming and then deeply foreboding and sinister meditation on being here (or not). In three movements, fast – slow – fast, played without pause. |
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Sheree Clement | Soliloquy | 2015 |
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Sheree ClementSoliloquyOpening with arching lines, this work veers between folk song and speech. in this solo work for the higher tessitura of the modern instrument, we hear a solo voice in the wilderness, singing to the trees. |
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Hayes Biggs | The Trill Is Gone | 2013 |
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Hayes Biggs | I Heard The Bells On Christmas Day | 2013 |
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Hayes BiggsI Heard The Bells On Christmas Daytext by Henry Wadsworth Longfellow |
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Stephen Dydo | Kalavinka | 2012 | n/a | ||
Stephen Dydo | Keibairaku | 2012 | n/a | ||
Gary Philo | Serenade for a Summer Evening | 2012 | n/a | ||
David Glaser | Sirius | 2012 |
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David Glaser | I Make A Note | 2012 |
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Laurie San Martin | 3 Songs (Excerpts) from Conference of the Birds Unfeathered | 2012 |
Laurie San Martin3 Songs (Excerpts) from Conference of the Birds UnfeatheredText in Farsi |
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Hayes Biggs | Prelude and Freund's Fuguing Tune | 2012 |
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David Glaser | Sirius | 2012 |
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David Glaser | Polaris | 2012 |
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Sheree Clement | Viola Trio | 2012 |
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Sheree ClementViola TrioWe rush forward through classical era tropes in four movements and just 13 minutes |
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Stephen Dydo | Offering | 2011 |
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Gary Philo | I Must Study Politicks and War | 2011 | n/a | ||
Laurie San Martin | Three Miniatures For Four Clarinets | 2011 |
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Laurie San MartinThree Miniatures For Four ClarinetsI. Fanfare |
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Laurie San Martin | Aaron (for Joey Abad) | 2011 |
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Hayes Biggs | Psalms, Hymns & Spiritual Songs, Song Cycle On Religious Poetry | 2011 |
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David Glaser | Of Twilight | 2011 |
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Stephen Dydo | Pozhen Yue Quartet | 2010 | n/a | ||
Stephen Dydo | Meditation | 2010 |
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Roberto Pace | Ninety-nine Percent | 2010 |
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David Glaser | Predella | 2010 |
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David GlaserPredella(Fromm Foundation Commission) |
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David Glaser | Aurora | 2010 |
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Hayes Biggs | Symphonia Brevis (symphony No. 1) | 2010 |
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David Glaser | Predella | 2010 |
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David GlaserPredella(Fromm Foundation Commission) |
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Sheree Clement | Four Poems by Emily Dickinson | 2010 |
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Sheree ClementFour Poems by Emily DickinsonFour short works that reach for her transcendentalist vision with rounds, catches and fragrant harmony. For four to sixteen singers. The 4 poems here are: |
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Stephen Dydo | Wang Zhaojun | 2009 |
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Edward Jacobs | Omaggio | 2009 | n/a | ||
Edward Jacobs | Marginalia | 2009 | n/a | ||
Roberto Pace | Duo Alcione | 2009 |
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Roberto Pace | Fantasie: MÉlomanie | 2009 | n/a | ||
Laurie San Martin | Elephant's Dance | 2009 |
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Laurie San Martin | Dawn Song | 2009 |
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Eleanor Cory | Celebration | 2008 |
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Eleanor CoryCelebrationCelebration is in four movements which can be roughly described as animated, intense, abstract, and jazzy. Balance starts simply with short rocking gestures. These build up to a bass vamp overlaid with a right hand improvisation, and finally culminate in large chords and racing scales. The end the piece slows to reminders of the simple rocking of the opening. The Innocence of the second movement is created by two hands moving naively in dyads to form tentative chords. A fall from innocence plunges the music into grinding motion over an agitated low bass line. A progression from the opening chords attempts to reclaim the innocence. The struggle continues, before finally opening out into innocent dyads again. The music in Reverie, is ethereal. Chords surround snatches of melodic material in the middle range which turn into closely voiced chords. The beginning is then repeated. Standards, as its title suggests, is based on quotes from jazz standards, specifically Misty, How About You, I’ve Got You Under My Skin, Laura, and You Can’t Take That Away From Me. Some are clear, others more hidden. The overall texture of the piece is a combination of traditional pianistic virtuosity and moody jazz. – Eleanor Cory |
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Stephen Dydo | A New Life | 2008 | n/a | ||
Stephen Dydo | Pozhen Yue | 2008 | n/a | ||
Joseph Hudson | Memento | 2008 |
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David Glaser | Kinesis | 2008 |
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David Glaser | Fantazy | 2008 | n/a | ||
David Glaser | Concerto for Clarinet and Chamber Orchestra | 2008 |
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Laurie San Martin | Objets Trouvés | 2008 |
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Hayes Biggs | Sultry Air, Balmy Breezes | 2008 |
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Hayes Biggs | Still Thro’ The Cloven Skies They Come | 2008 | n/a | ||
Hayes Biggs | The Oxen (Poem By Thomas Hardy) | 2008 |
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Sheree Clement | Round Trip Ticket | 2007 | Subito | ||
Stephen Dydo | Four Tang Dynasty Pieces (wang Zhaojun, Qinwang Pozhen Yue, Qinghai Bo, Qinhe Niao) | 2007 |
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Stephen Dydo | Coming Home | 2007 | n/a | ||
Joseph Hudson | Four Piano Preludes | 2007 |
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Edward Jacobs | When Time | 2007 | n/a | ||
David Glaser | Catalyst | 2007 |
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Laurie San Martin | Lachrimae | 2007 |
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Hayes Biggs | Pan-fare | 2007 | n/a | ||
Eleanor Cory | Mirrors | 2006 | n/a | ||
Rolv Yttrehus | Sextet II | 2006 |
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Rolv Yttrehus | Laudate Milton Babbitt | 2006 |
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Joseph Hudson | String Quartet No. 2: "Ghosty Echoes" | 2006 |
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Edward Jacobs | Passed Time | 2006 | n/a | ||
Eugene Lee | Kyrie Elison | 2006 |
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Eugene Lee | Hawaiian Quartet | 2006 |
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Laurie San Martin | Epithalamion | 2006 |
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Hayes Biggs | Duérmete, Niño, Duérme | 2006 |
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Maurice Wright | Mythology Songs | 2006 |
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Stephen Dydo | Wind Chimes | 2005 |
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Bruce J. Taub | Frozen On a Each Face | 2005 |
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David Glaser | Apparitions | 2005 |
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Eugene Lee | Suite | 2005 |
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Eugene Lee | Suite | 2005 |
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Eugene Lee | The Breathing Of Diathirdtonic Cosmicity (18 Tone Music) | 2005 |
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Hayes Biggs | En Belén Tocan a Fuego | 2005 |
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David Glaser | String Quartet No.2 | 2005 |
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Eleanor Cory | Conversation | 2004 |
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Bruce J. Taub | Nto The Woods | 2004 |
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Edward Jacobs | Time As A Fly | 2004 |
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Edward Jacobs | Soliloquy | 2004 |
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David Glaser | Le Carnet Rouge | 2004 |
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Laurie San Martin | Linea Negra | 2004 |
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Laurie San Martin | Dances | 2004 |
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Laurie San MartinDancesI.Tangozilla |
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Laurie San Martin | Concert For Four | 2004 |
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Hayes Biggs | String Quartet: O Sapientia/Steal Away | 2004 |
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Hayes Biggs | Sicut Rosa | 2004 |
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Hayes Biggs | Jacob Wrestling | 2004 | n/a | ||
Stephen Dydo | Suscepit Israel | 2003 |
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Joseph Hudson | Rilke Songs | 2003 |
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David Glaser | Moonset No.1 | 2003 |
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David Glaser | Chiaroscuro | 2003 |
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Hayes Biggs | From "the Shepheards’ Song" Caroll Or Himne | 2003 |
Hayes BiggsFrom "the Shepheards’ Song" Caroll Or HimneChristmas; 1600’s text by Edmund Bolton, |
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Hayes Biggs | From "A Song For Occupations" | 2003 | n/a | ||
Eric Sawyer | Bagatelles | 2002 |
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Jeffrey Stadelman | Kinderszenen | 2002 |
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Bruce J. Taub | Pan Man | 2002 | n/a | ||
Bruce J. Taub | Let’s Roll! | 2002 |
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Eugene Lee | Ipsori (oral Sound): A Cycle Of Songs | 2002 |
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Frank Retzel | Reflections (john Hollander) | 2002 |
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Frank Retzel | Duets (seamus Heaney) | 2002 |
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Malcolm Peyton | Fantasies Concertantes (concerto for orchestra) | 2002 | n/a | ||
Arlene Zallman | Vox Feminae (carmina Burana) Song Cycle | 2002 |
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Hayes Biggs | Susan's Waltz (Valse Sentimentale) | 2002 |
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Hayes Biggs | Motet: I Synge Of A Mayden/ex Semine | 2002 |
Hayes BiggsMotet: I Synge Of A Mayden/ex Semineanon. English text, ca. 1400 with interpolation of Perotin’s clausula Ex semine |
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Hayes Biggs | From The Lamentations of Jeremiah | 2002 |
Hayes BiggsFrom The Lamentations of JeremiahLanguage: Latin /English biblical texts |
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Hayes Biggs | Autumn Wind/winter Rain: Solitude Eleven Haiku Settings | 2002 |
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Eleanor Cory | Chasing Time | 2001 |
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Eleanor Cory | O'keeffe's Flora | 2001 | n/a | ||
Jeffrey Stadelman | Starry Wisdom | 2001 | n/a | ||
Stephen Dydo | Psalm 15 | 2001 | n/a | ||
Bruce J. Taub | Twangin’ an’ Bangin’ | 2001 |
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Bruce J. Taub | The Flame of a Candle | 2001 |
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Bruce J. Taub | Elegie Pour B.R. | 2001 |
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Bruce J. Taub | Doppelgaenger | 2001 |
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Bruce J. Taub | Companion Piece | 2001 |
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Joseph Hudson | Variations | 2001 |
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Martin Boykan | Motet | 2001 | n/a | ||
Laurie San Martin | Octurnal | 2001 |
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Hayes Biggs | I Saw A Swete Semly Syght | 2001 |
Hayes BiggsI Saw A Swete Semly SyghtChristmas carol Middle English |
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Robert Ceely | Extensions | 2000 |
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Eleanor Cory | Three Songs | 2000 |
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Rolv Yttrehus | Plectrum Spectrum | 2000 | n/a | ||
Jeffrey Stadelman | Eastland | 2000 |
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Stephen Dydo | Wind Chimes | 2000 |
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Bruce J. Taub | She’s Back | 2000 | n/a | ||
Leonard Klein | Etude No. 3 | 2000 |
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Leonard Klein | Nocturne | 2000 |
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David Glaser | Convergence | 2000 |
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Lawrence Moss | Chiaroscuro | 2000 |
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Eugene Lee | Twelve Variations On "haenschen Klein" | 2000 |
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Eugene Lee | Telekinesis | 2000 |
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Eugene Lee | Affinity | 2000 |
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Martin Boykan | Romanza | 2000 |
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Martin Boykan | Flume | 2000 |
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Laurie San Martin | Circus Maximus | 2000 |
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Hayes Biggs | Nova, Nova | 2000 |
Hayes BiggsNova, NovaArrangement of 15th c. English carol |
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Maurice Wright | Song Cycle (Applachian folk song) | 2000 |
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Eleanor Cory | Bouquet | 1999 | n/a | ||
Bruce J. Taub | An Exaltation Of Larks | 1999 |
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Allen Anderson | Collected Letters | 1999 |
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Elaine R. Barkin | Still Life (:cpebs) Bar Jazz Sax, Vib (two Scores Needed) | 1999 |
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Eugene Lee | Western Wind | 1999 |
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Jeffrey Hall | Talisman Ii | 1999 |
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Hayes Biggs | Balulalow | 1999 |
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Robert Ceely | Gymel | 1998 |
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Rolv Yttrehus | Symphony No. 1 | 1998 |
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Arthur Kreiger | By The Water’s Edge | 1998 |
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Leonard Klein | Music For String Orchestra | 1998 |
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Lawrence Moss | A Bird… A Sleep… A Thought… | 1998 |
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Eugene Lee | Interferences | 1998 | n/a | ||
Frank Retzel | Landscapes | 1998 |
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Arlene Zallman | Luoghi (Places) | 1998 | n/a | ||
Hayes Biggs | There Is No Rose of Swich Vertu | 1998 | n/a | ||
Jeffrey Stadelman | Four Rags | 1997 |
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Steven Weigt | Views From The Midway | 1997 |
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Steven Weigt | Inquire Within | 1997 |
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Stephen Dydo | Offering | 1997 |
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Frank Retzel | Tamarind | 1997 | n/a | ||
Frank Retzel | Portrait In Fantasy | 1997 |
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Hayes Biggs | Tagrango, Being a Brief Identity Crisis | 1997 |
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Eleanor Cory | Interviews | 1996 |
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Leonard Klein | Trio | 1996 |
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Will Ogdon | Variations Suite | 1996 |
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David Glaser | Closely By The Sky | 1996 |
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Lawrence Moss | Racconto | 1996 |
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Eugene Lee | Trihexadral Ballads | 1996 | n/a | ||
Eugene Lee | 76 Years | 1996 |
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Frank Retzel | Summer Songs | 1996 |
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Frank Retzel | Blue-line Strophes | 1996 |
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Arlene Zallman | Letters (dickinson) | 1996 |
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Eleanor Cory | Foreign Echoes | 1995 |
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Jeffrey Stadelman | Incidental Music | 1995 | n/a | ||
Sheree Clement | Wherewith I Strive | 1995 |
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Will Ogdon | Nine Short Pieces And A Finale | 1995 |
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Martin Boykan | Ma’ariv Settings | 1995 |
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David Glaser | Night Waves | 1995 |
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Eleanor Cory | Pas De Quatre | 1994 | n/a | ||
Niel Sir | Elegy | 1994 |
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Jeffrey Stadelman | Tombolo | 1994 |
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Jeffrey Stadelman | Marxville Songbook | 1994 | n/a | ||
Jeffrey Stadelman | Form-turba | 1994 |
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Arthur Kreiger | Fieldstone Sonata | 1994 |
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Harold Oliver | String Quartet No. 3 | 1994 | n/a | ||
Harold Oliver | Lapidary Nimbus | 1994 | n/a | ||
Malcolm Peyton | Suite Nocturnale | 1994 |
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Arlene Zallman | A Whimsical Offering | 1994 |
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David Glaser | String Quartet | 1994 |
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Jeffrey Stadelman | Crosslet Rove | 1993 | n/a | ||
Will Ogdon | Thirteen Expressions | 1993 | n/a | ||
Harold Oliver | Woodwind Quintet No. 2 | 1993 |
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Harold Oliver | Bits And Pieces | 1993 |
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Gary Philo | Three Pieces For Piano | 1993 |
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Martin Boykan | Three Psalms | 1993 |
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Martin Boykan | Sea Gardens - Four Songs | 1993 |
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Jeffrey Hall | Artifact No. 2 | 1993 |
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Frank Retzel | Daughter Of Dawn | 1993 |
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Malcolm Peyton | String Quartet No 1 | 1993 |
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Eleanor Cory | Presence Without Name | 1992 |
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Jeffrey Stadelman | Rus In Urbe | 1992 |
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Jeffrey Stadelman | No Two Alike | 1992 |
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Peter Susser | Venetian Blinds | 1992 |
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Bruce J. Taub | The Corridor Of Lost Steps | 1992 |
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Will Ogdon | Two Capriccios | 1992 |
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Leonard Klein | Out Of The Cradle, Endlessly Rocking | 1992 | n/a | ||
Harold Oliver | Calm Seas, Prosperous Voyage | 1992 |
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Noel Zahler | Recollections | 1992 |
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Martin Boykan | Voyages | 1992 |
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Martin Boykan | Symphony | 1992 |
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Frank Retzel | Trinity | 1992 | n/a | ||
Frank Retzel | O Sons, O Daughters | 1992 |
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Eleanor Cory | Fantasy | 1991 |
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Eleanor Cory | Canyons | 1991 |
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Jeffrey Stadelman | Beatrice | 1991 | n/a | ||
Steven Weigt | Interlude | 1991 |
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Leonard Klein | Sonata No. 4 | 1991 |
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Joseph Hudson | Fantasy/Refrain II | 1991 |
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Will Ogdon | Four D.h. Lawrence Songs | 1991 |
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Peter Child | Fanfare | 1991 |
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Gary Philo | Music for 15 Players | 1991 | n/a | ||
Noel Zahler | Quote “within The Dome Of Time” | 1991 |
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Martin Boykan | Nocturne | 1991 |
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Zelman Bokser | Nocturne | 1991 |
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Zelman Bokser | In Ravishing Very...is Never Ending | 1991 |
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Zelman Bokser | Concerto for Oboe and Orchestra | 1991 | n/a | ||
Arlene Zallman | The Cigarette Butt Blues (pavese: Il Blues Delle Cicche) | 1991 | n/a | ||
Arlene Zallman | Sonnet/sonata (shakespeare Cii My Love Is Strengthened) | 1991 |
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Robert Ceely | Harlequin | 1990 | n/a | ||
Jeffrey Stadelman | Friction Oracle | 1990 | n/a | ||
Leonard Klein | Sonata | 1990 |
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Will Ogdon | A Modern Fable | 1990 | n/a | ||
Will Ogdon | Four Women’s Choruses | 1990 |
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Will Ogdon | Serenade No. 2 | 1990 |
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Edward T. Cone | Ostinato, Cadenza And Finale Trio | 1990 |
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Peter Child | Sonatina | 1990 |
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Noel Zahler | Piano Etudes | 1990 |
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Zelman Bokser | Three Portraits For El | 1990 |
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Zelman Bokser | Points Of Light | 1990 | n/a | ||
Frank Retzel | Acclaim With Joy | 1990 | n/a | ||
Eleanor Cory | Hemispheres | 1989 |
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Eleanor Cory | Crystals | 1989 |
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Rolv Yttrehus | Raritan Variation | 1989 |
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Jeffrey Stadelman | Sea Change | 1989 | n/a | ||
Peter Susser | Till Drumlin Waves | 1989 |
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Peter Susser | A Society Flute | 1989 |
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Will Ogdon | Four Chamber Songs | 1989 | n/a | ||
Edward T. Cone | Ozymandias | 1989 |
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Peter Child | String Quartet No. 2 | 1989 |
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Marjorie Merryman | Bending the Light | 1989 |
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David Glaser | Catullus Dreams | 1989 | n/a | ||
Zelman Bokser | Behind The Gathering Clouds | 1989 |
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Frank Retzel | Sekem | 1989 | n/a | ||
David Glaser | Cantata - Psalm Civ | 1989 | n/a | ||
Niel Sir | Septet | 1988 |
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Jeffrey Stadelman | String Quartet No. 2 | 1988 |
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Allan Blank | Three Pieces for Solo Guitar | 1988 |
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Will Ogdon | Four Tonal Songs | 1988 |
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Will Ogdon | Seven Pieces And A Capriccio | 1988 |
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Leonard Klein | Mufs. 1 - Three Movements | 1988 | n/a | ||
Peter Child | The Great Panjandrum | 1988 |
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Harold Oliver | Ggryyzy Milgorn | 1988 |
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Harold Oliver | Bright Lights And Clean Tones | 1988 |
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Gary Philo | Three Impromptus for Chamber Orchestra | 1988 | n/a | ||
Frank Retzel | Chansonnier (after Dufay) | 1988 |
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Hayes Biggs | Midwinter | 1988 | n/a | ||
David Glaser | The Speech Of Dreams | 1988 | n/a | ||
Eleanor Cory | Of Mere Being | 1987 | n/a | ||
Jeffrey Stadelman | Eros Is Eros Is Eros | 1987 |
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Allan Blank | Links | 1987 |
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Leonard Klein | Variations on a Theme of Tartini | 1987 |
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Will Ogdon | Seven Piano Pieces | 1987 |
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Will Ogdon | Two Sea Chanteys | 1987 |
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Edward T. Cone | Two Women | 1987 |
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Peter Child | String Quartet | 1987 |
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Harold Oliver | Sounds of T’ai Chi | 1987 |
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Harold Oliver | Sarn’s Suite | 1987 |
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Harold Oliver | Requiem | 1987 | n/a | ||
Harold Oliver | Requiem - | 1987 | n/a | ||
Frank Retzel | Horae | 1987 |
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Susan Blaustein | Out Of Pandora’s Box | 1986 |
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Susan Blaustein | Danae and Perseus | 1986 |
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Allan Blank | Lines by Horace | 1986 |
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Will Ogdon | Serenade No. 1 | 1986 |
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Peter Child | Sonatina | 1986 |
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Harold Oliver | Psalm 90 | 1986 |
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Harold Oliver | 4a | 1986 |
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Gary Philo | Boomerang | 1986 | n/a | ||
David Glaser | Dialogues | 1986 |
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Arlene Zallman | Soliloquium | 1986 |
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Arlene Zallman | And With Ah! Bright Wings (G. M. Hopkins) | 1986 |
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Susan Blaustein | Song of Songs (Cantata) | 1985 | n/a | ||
Sheree Clement | Variations / Obsessions | 1985 |
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Sheree Clement | String Quartet | 1985 |
Sheree ClementString QuartetTactical ducking and dodging, counterpoint and hockets with heartfelt tunes. |
Subito | |
Will Ogdon | Five Preludes | 1985 | n/a | ||
Will Ogdon | Summer Images and Reflections | 1985 |
|
n/a | |
Allen Anderson | Arcade | 1985 |
|
n/a | |
Marjorie Merryman | Three Pieces | 1985 |
|
n/a | |
Harold Oliver | Intersections | 1985 |
|
n/a | |
Edward Cohen | Fantasy | 1985 |
|
n/a | |
Frank Retzel | Spare Us, O Lord | 1985 |
|
n/a | |
Frank Retzel | Designs In Terra Cotta | 1985 |
|
n/a | |
Arlene Zallman | Emerson Motets | 1985 |
|
n/a | |
Rolv Yttrehus | Explorations | 1984 |
|
n/a | |
Susan Blaustein | Concerto | 1984 | n/a | ||
Steve Roens | Piece For Eleven Players | 1984 | n/a | ||
Leonard Klein | Air and Finale | 1984 |
|
n/a | |
Peter Child | Embers: A Chamber Opera In One Act | 1984 | n/a | ||
Peter Child | Clare Cycle | 1984 | n/a | ||
Carlos Rausch | Rounds | 1984 | n/a | ||
Harold Oliver | Winter Settings (patty Oliver) | 1984 |
|
n/a | |
Harold Oliver | String Quartet No. 2 | 1984 |
|
n/a | |
Harold Oliver | Mass In C Minor | 1984 |
|
n/a | |
Harold Oliver | Leopardi Settings | 1984 |
|
n/a | |
Harold Oliver | Fantasia | 1984 |
|
n/a | |
Harold Oliver | Concerto | 1984 |
|
n/a | |
Edward Cohen | Quintet | 1984 |
|
n/a | |
Gary Philo | String Trio | 1984 |
|
n/a | |
Jeffrey Hall | Vogelschau | 1984 |
|
n/a | |
Frank Retzel | Movements | 1984 |
|
n/a | |
Frank Retzel | Break Forth | 1984 |
|
n/a | |
Frank Retzel | A Bestiary | 1984 |
|
n/a | |
Arlene Zallman | Nightsongs I | 1984 | n/a | ||
David Glaser | Tableaux | 1984 |
|
n/a | |
Robert Ceely | Infractions (Computer Piece) | 1983 |
|
n/a | |
Susan Blaustein | Sextet | 1983 |
|
n/a | |
Allan Blank | Fantasy On Cantillation Motives | 1983 |
|
n/a | |
Edward T. Cone | Quartet | 1983 |
|
n/a | |
Leonard Klein | Fantasy Concertante | 1983 |
|
n/a | |
Peter Child | Wind Quintet | 1983 |
|
n/a | |
Marjorie Merryman | Three Songs from Antigone | 1983 |
|
n/a | |
Harold Oliver | Dance Suite | 1983 |
|
n/a | |
Bruce Wise | Intrada and Five Bagatelles | 1983 |
|
n/a | |
Bruce Wise | Duo Iii | 1983 |
|
n/a | |
Noel Zahler | All Night | 1983 |
|
n/a | |
Frank Retzel | Lumen | 1983 | n/a | ||
Frank Retzel | Canticles | 1983 | n/a | ||
Eleanor Cory | Tapestry | 1982 |
|
n/a | |
Philip Ballou | Little Piano Pieces | 1982 |
|
n/a | |
Philip Ballou | Fable | 1982 |
|
n/a | |
Philip Ballou | Cadenza | 1982 |
|
n/a | |
Susan Blaustein | To Orpheus: Four Sonnets | 1982 |
|
n/a | |
Susan Blaustein | Romansa (la Espoza De Don Garcia) | 1982 |
|
n/a | |
Allan Blank | Music for Solo Cello | 1982 |
|
n/a | |
Will Ogdon | Five Preludes | 1982 |
|
n/a | |
Will Ogdon | Six Small Trios Marimba/perc, Tpt, Pno (three Scores Needed | 1982 |
|
n/a | |
Harold Oliver | Three Movements | 1982 |
|
n/a | |
Harold Oliver | Fantasia | 1982 |
|
n/a | |
Harold Oliver | Divertissement | 1982 |
|
n/a | |
Elaine R. Barkin | N.b. Suite | 1982 |
|
n/a | |
Elaine R. Barkin | At The Piano | 1982 |
|
n/a | |
Noel Zahler | Rhapsody | 1982 |
|
n/a | |
Jeffrey Hall | Talisman | 1982 |
|
n/a | |
Niel Sir | Upper Meadows (Choral Cycle) | 1981 |
|
n/a | |
Susan Blaustein | Ricercate: String Quartet #1 | 1981 |
|
n/a | |
Steve Roens | Quartet | 1981 |
|
n/a | |
Arthur Kreiger | Passacaglia On Spring And All | 1981 | n/a | ||
Edward T. Cone | Capriccio | 1981 |
|
n/a | |
Marjorie Merryman | The River Song | 1981 | n/a | ||
Harold Oliver | Concerto | 1981 |
|
n/a | |
Harold Oliver | Concerto | 1981 |
|
n/a | |
Edward Cohen | Three Songs | 1981 |
|
n/a | |
Elaine R. Barkin | In Its Surrendering | 1981 |
|
n/a | |
Frank Retzel | Poem | 1981 |
|
n/a | |
Frank Retzel | Hymnus | 1981 |
|
n/a | |
Frank Retzel | Hymn: “jam Sol Recedit Igneus” | 1981 |
|
n/a | |
Robert Ceely | Totems | 1980 |
|
n/a | |
Robert Ceely | Piano Piece | 1980 |
|
n/a | |
Philip Ballou | Labyrinth | 1980 |
|
n/a | |
Susan Blaustein | Fantasie | 1980 |
|
n/a | |
Susan Blaustein | Commedia | 1980 | n/a | ||
Peter Susser | Quatre Betises 2 Vc (two Scores Needed | 1980 |
|
n/a | |
Sheree Clement | Piano Preludes 1 - 13 | 1980 |
|
Sheree ClementPiano Preludes 1 - 13Thirteen pieces between one and eight minutes long, speak with a personal, often private and poetic voice, querying, asserting and exploring. They range from epigrams to torrid essays. Can be played in any order, in any subset or combination. |
Subito |
Will Ogdon | Winter Images | 1980 | n/a | ||
Maurice Wright | Winds of Change | 1980 |
|
n/a | |
Allen Anderson | Skies, The Quake | 1980 |
|
n/a | |
Harold Oliver | String Quartet No. 1 | 1980 |
|
n/a | |
Edward Cohen | The Ruin | 1980 |
|
n/a | |
Elaine R. Barkin | Harp Song | 1980 |
|
n/a | |
Bruce Wise | Piano Trio No. 1 | 1980 |
|
n/a | |
Frank Retzel | Symbiosis | 1980 |
|
n/a | |
Frank Retzel | Sketches | 1980 |
|
n/a | |
Frank Retzel | Klage | 1980 |
|
n/a | |
Frank Retzel | Amber Glass | 1980 | n/a | ||
Arlene Zallman | Shakespeare Sonnet Cxxviii (how Oft, When Thou My Music) | 1980 |
|
n/a | |
Philip Ballou | Music Box | 1979 | n/a | ||
Susan Blaustein | Canzo (Due Madrigali Di Torquato Tasso) | 1979 | n/a | ||
Arthur Kreiger | Prelude | 1979 |
|
n/a | |
Arthur Kreiger | Fantasy | 1979 |
|
n/a | |
Arthur Kreiger | Complaint | 1979 | n/a | ||
Arthur Berger | Five Settings Of European Poets | 1979 |
|
n/a | |
Maurice Wright | Like an Autumn Sky | 1979 |
|
n/a | |
Maurice Wright | Sobolo | 1979 |
|
n/a | |
Allen Anderson | Measure Of Terrain | 1979 |
|
n/a | |
Allen Anderson | Supra Rosa | 1979 |
|
n/a | |
Seymour Shifrin | Five Songs (soprano and piano version) | 1979 |
|
n/a | |
Marjorie Merryman | Ariel | 1979 |
|
n/a | |
Elaine R. Barkin | The Supple Suitor | 1979 | n/a | ||
Bruce Wise | Duo Ii | 1979 |
|
n/a | |
David Glaser | Morning Star | 1979 | n/a | ||
David Glaser | Fantasia | 1979 |
|
n/a | |
Noel Zahler | Charms | 1979 | n/a | ||
Arlene Zallman | Three Preludes | 1979 |
|
n/a | |
Arlene Zallman | Shakespeare Sonnets Xxxiii (Full Many A Morning) & Xl (Take All My Loves) | 1979 |
|
n/a | |
Sheree Clement | Glinda Returns | 1979 |
|
Sheree ClementGlinda ReturnsAn homage to Glinda the good witch — the auntie looking out for us whom we all sorely need. For 4 channel audio. Composed in analogue media at the Columbia-Princeton Electronic Music Center. Premiered at McMillan Theatre, April 1979. Numerous additional ‘live’ and radio performances. |
n/a |
Robert Ceely | Frames (computer piece) | 1978 |
|
n/a | |
Robert Ceely | Flee, Floret, Florens | 1978 | n/a | ||
Philip Ballou | Second Wedding Fl, Cl, Bsn (three Scores Needed | 1978 |
|
n/a | |
Susan Blaustein | “The Moon Has Nothing To Be Sad About” | 1978 |
Susan Blaustein“The Moon Has Nothing To Be Sad About”(Sylvia Plath) |
n/a | |
Susan Blaustein | Intermezzo | 1978 |
|
n/a | |
Stephen Dydo | Fandango | 1978 |
|
n/a | |
Steve Roens | ...and Starry Skies | 1978 |
|
n/a | |
Arthur Kreiger | Four Settings Of W. C. Williams | 1978 | n/a | ||
Arthur Berger | Composition | 1978 |
|
n/a | |
Leonard Klein | Sonata No. 2 | 1978 |
|
n/a | |
Maurice Wright | Music From The Fifth String | 1978 | n/a | ||
Maurice Wright | Night Watch (song cycle) | 1978 |
|
n/a | |
Maurice Wright | The Bottom Line | 1978 |
|
n/a | |
Maurice Wright | Travelling Music | 1978 |
|
n/a | |
Allen Anderson | Zephyro, Zephyro | 1978 |
|
n/a | |
Edward T. Cone | Nine Lyrics From Tennyson’s In Memoriam | 1978 |
|
n/a | |
Peter Child | Sonata | 1978 |
|
n/a | |
Peter Child | Heracliti Reliquae | 1978 | n/a | ||
Carlos Rausch | Song Cycle | 1978 |
|
n/a | |
Harold Oliver | Passacaglia | 1978 |
|
n/a | |
Edward Cohen | Stone and Earth | 1978 | n/a | ||
Elaine R. Barkin | Ebb Tide | 1978 | n/a | ||
Eugene Lee | Quintet | 1978 | n/a | ||
Frank Retzel | One | 1978 |
|
n/a | |
Malcolm Peyton | Songs From Walt Whitman | 1978 | n/a | ||
Maurice Wright | Night Watch | 1978 |
|
n/a | |
Steve Roens | In The Night Fields | 1977 |
|
n/a | |
Arthur Kreiger | Trio | 1977 |
|
n/a | |
Arthur Kreiger | Theme and Variations (With “Lyric” And “Still Life”) | 1977 |
|
n/a | |
Arthur Kreiger | Still Life | 1977 | n/a | ||
Arthur Kreiger | Lyric | 1977 | n/a | ||
Arthur Kreiger | Iris | 1977 | n/a | ||
Leonard Klein | Sonata | 1977 |
|
n/a | |
Maurice Wright | Madrigals | 1977 |
|
n/a | |
Marjorie Merryman | Laments For Hektor | 1977 | n/a | ||
Erik Lundborg | Variationem | 1977 |
|
n/a | |
Carlos Rausch | Three Songs From Long Island | 1977 |
|
n/a | |
Carlos Rausch | Sonata | 1977 |
|
n/a | |
Edward Cohen | Elegy | 1977 | n/a | ||
Noel Zahler | Tableau | 1977 |
|
n/a | |
Noel Zahler | Four Songs Of Departure | 1977 |
|
n/a | |
Jay Reise | Alice At The End | 1977 | n/a | ||
Frank Retzel | Swamp Music | 1977 | n/a | ||
Frank Retzel | Anamnesis: The City Of God | 1977 |
|
n/a | |
Sheree Clement | Music From A Summer Afternoon | 1977 |
Sheree ClementMusic From A Summer AfternoonFierce, high-energy tutti swirls contrast with gentle, reflective flute and celeste meditations. Premiered by the University of Michigan Philharmonia Orchestra, Stephen Osmond, conductor, Hill Auditorium, Ann Arbor, MI. |
n/a | |
Arthur Kreiger | Voyage | 1976 | n/a | ||
Arthur Kreiger | Dance For Sarah | 1976 | n/a | ||
Will Ogdon | The Awakening of Sappho (Studio Opera) | 1976/80 | n/a | ||
Will Ogdon | Un Tombeau De Jean Cocteau Iii – Theater Piece | 1976 | n/a | ||
Maurice Wright | Basilio’s Lament | 1976 |
|
n/a | |
Maurice Wright | Music | 1976 |
|
n/a | |
Maurice Wright | Sonnet at Trifling Intervals | 1976 |
|
n/a | |
Mark Hagerty | String Quartet | 1976 |
|
n/a | |
Carlos Rausch | Chaconne | 1976 |
|
n/a | |
Harold Oliver | Full Fathom Five | 1976 | n/a | ||
Edward Cohen | Serenade for a Summer Evening | 1976 | n/a | ||
Jeffrey Hall | Clausula | 1976 |
|
n/a | |
Jeffrey Hall | Artifact No. 1 | 1976 |
|
n/a | |
Jay Reise | String Quartet | 1976 |
|
n/a | |
Arlene Zallman | Three Songs From Quasimodo | 1976 |
|
n/a | |
Sheree Clement | Thresholds | 1976 |
|
Sheree ClementThresholdsA snappy percussion study, handcrafted in 3M vinyl tape, using manual splicing and Ampex recording machines. Composed in analog media the University of Michigan Electronic Music Studio. Premiered by the University of Michigan Contemporary Music Players in Rackham Auditorium. Ann Arbor, MI. December 1976. Numerous additional live and radio performances. |
n/a |
Niel Sir | Ode To Posthumus | 1975 | n/a | ||
Allan Blank | Toccata | 1975 |
|
n/a | |
Leonard Klein | Trio | 1975 | n/a | ||
Maurice Wright | Music For French Horn | 1975 |
|
n/a | |
Maurice Wright | Music | 1975 |
|
n/a | |
Mark Hagerty | Suite | 1975 |
|
n/a | |
Edward T. Cone | Serenade | 1975 |
|
n/a | |
George Edwards | Sonda (7 Min) | 1975 | n/a | ||
Erik Lundborg | Combone | 1975 | n/a | ||
Harold Oliver | Walden | 1975 | n/a | ||
Harold Oliver | A Flower | 1975 | n/a | ||
Edward Cohen | Three Songs | 1975 |
|
n/a | |
Noel Zahler | Regions I | 1975 |
|
n/a | |
Jeffrey Hall | Duo No. 1 | 1975 |
|
n/a | |
Frank Retzel | Schism I | 1975 |
|
n/a | |
Arlene Zallman | To A Hurdy-gurdy(corrazzini: Per Organo Di Barberia) | 1975 |
|
n/a | |
Arthur Kreiger | Short Piece In Memory Of My Father | 1974 | n/a | ||
Arthur Kreiger | Dialogue | 1974 | n/a | ||
Maurice Wright | Mozartian Constraint | 1974 |
|
n/a | |
Maurice Wright | The Constant Flow | 1974 |
|
n/a | |
Marjorie Merryman | Serenade for Six Instruments | 1974 |
|
n/a | |
Erik Lundborg | Passacaglia | 1974 | n/a | ||
Harold Oliver | Walden | 1974 | n/a | ||
Edward Cohen | Portrait No. 2 | 1974 |
|
n/a | |
Edward Cohen | Portrait No. 1 | 1974 | n/a | ||
Noel Zahler | Three Songs | 1974 | n/a | ||
Eugene Lee | Composition | 1974 |
|
n/a | |
Frank Retzel | Tapestries | 1974 | n/a | ||
Stephen Dydo | Epithalamium | 1973 | n/a | ||
Godfrey Winham | Variations On A Theme By James Pierpont | 1973 |
|
n/a | |
Leonard Klein | Song And For Flageolets | 1973 |
|
n/a | |
Maurice Wright | Sonata Exotica | 1973 |
|
n/a | |
Maurice Wright | Sonata | 1973 |
|
n/a | |
Erik Lundborg | Trio | 1973 |
|
n/a | |
Elaine R. Barkin | Prim Cycles | 1973 |
|
n/a | |
Noel Zahler | Sonata | 1973 |
|
n/a | |
Eugene Lee | Chamber Symphony | 1973 | n/a | ||
Jeffrey Hall | String Quartet No. 1 | 1973 |
|
n/a | |
George Edwards | Three Hopkins Songs | 1972 |
|
n/a | |
Bruce Wise | Duo I | 1972 | n/a | ||
Noel Zahler | Three Movements | 1972 |
|
n/a | |
Arthur Kreiger | Short Pieces | 1971 |
|
n/a | |
Erik Lundborg | From Music Forever | 1971 |
|
n/a | |
Erik Lundborg | From Music Forever No. 2 | 1971 | n/a | ||
Eugene Lee | Transience | 1971 | n/a | ||
Eugene Lee | Composition | 1971 |
|
n/a | |
Jeffrey Hall | Three Pieces | 1971 |
|
n/a | |
Arlene Zallman | Analogy | 1971 |
|
n/a | |
Leonard Klein | Sonata | 1970 |
|
n/a | |
George Edwards | Double Play | 1970 |
|
n/a | |
Carlton Gamer | Piano Raga Music | 1970 |
|
n/a | |
Robert Ceely | Logs | 1969 |
|
n/a | |
Robert Ceely | Hymn | 1969 |
|
n/a | |
Robert Ceely | Beyond The Ghost Spectrum (Ballet) | 1969 | n/a | ||
Rolv Yttrehus | Music For Winds, Percussion, Cello And Voices | 1969 | n/a | ||
Leonard Klein | Reflections On The Days Of Christmas | 1969 | n/a | ||
Will Ogdon | By the Isar | 1969 |
|
n/a | |
Erik Lundborg | Sonata | 1969 |
|
n/a | |
Robert Ceely | Modules, Circuits | 1968 | n/a | ||
Harold Oliver | Discourses | 1968 |
|
n/a | |
Arlene Zallman | Racconto | 1968 |
|
n/a | |
Edward Cohen | Madrigal | 1967 |
|
n/a | |
Malcolm Peyton | Sonnets from John Donne | 1967 | n/a | ||
Will Ogdon | Three Pieces | 1966 |
|
n/a | |
Edward T. Cone | String Sextet | 1966 |
|
n/a | |
George Edwards | Two Pieces | 1966 |
|
n/a | |
Leonard Klein | La Soucoupe Volante (the Flying Saucer) | 1966 | n/a | ||
Jeffrey Hall | Duo | 1966 | n/a | ||
Philip Batstone | John Street | 1965 |
|
n/a | |
Philip Batstone | A Mother Goose Primer | 1965 |
|
n/a | |
Leonard Klein | Invention Fantasy | 1965 |
|
n/a | |
Edward Steuermann | Three Choruses With Instruments | 1965 | n/a | ||
Philip Batstone | Trio | 1964 |
|
n/a | |
Will Ogdon | Un Tombeau De Jean Cocteau | 1964 |
|
n/a | |
Seymour Shifrin | A Medieval Latin Lyric | 1964 |
|
n/a | |
Seymour Shifrin | Music For The Young | 1964 |
|
n/a | |
Edward Steuermann | Suite For Chamber Orchestra | 1964 |
|
n/a | |
Robert Ceely | Music For Ten Instruments | 1963 | n/a | ||
Philip Batstone | Recitation | 1963 | n/a | ||
Edward T. Cone | Duo For Violin And ‘Cello | 1963 |
|
n/a | |
Godfrey Winham | Two Pieces For Computer | 1962 |
|
n/a | |
Godfrey Winham | Composition | 1962 | n/a | ||
Philip Batstone | Two Songs | 1962 |
|
n/a | |
Will Ogdon | Orpheus Song | 1962 |
|
n/a | |
Will Ogdon | Variations and Palindrome | 1962 |
|
n/a | |
Edward Steuermann | Music For Instruments | 1961 | n/a | ||
Philip Batstone | Five Movements | 1961 | n/a | ||
Philip Batstone | Concerto | 1961 |
|
n/a | |
Philip Batstone | Canzona | 1961 |
|
n/a | |
Will Ogdon | String Quartet | 1961 |
|
n/a | |
Edward Steuermann | String Quartet No. 2 | 1961 |
|
n/a | |
Will Ogdon | Come, O Holy Silence | 1960 |
|
n/a | |
Will Ogdon | Three Statements | 1960 |
|
n/a | |
Philip Batstone | Drei Lieder Von Ivan Goll | 1959 |
|
n/a | |
Edward Steuermann | Four Pieces | 1958 |
|
n/a | |
Arlene Zallman | Shakespeare Sonnet Xviii (shall I Compare Thee) | 1958 |
|
n/a | |
Edward Steuermann | Variations | 1958 |
|
n/a | |
Allan Blank | Four Yeats Songs | 1957 | n/a | ||
Godfrey Winham | Concert Piece | 1957 |
|
n/a | |
Will Ogdon | Three Trifles | 1957 |
|
n/a | |
Edward T. Cone | Prelude, Passacaglia And Fugue | 1957 |
|
n/a | |
Godfrey Winham | The Habit Of Perfection | 1956 |
|
n/a | |
Godfrey Winham | Three Compositions | 1955 |
|
n/a | |
Will Ogdon | Three Songs | 1955 |
|
n/a | |
Will Ogdon | Two Ketchwa Songs | 1955 |
|
n/a | |
Carlos Rausch | Trio Op. 3 | 1955 |
|
n/a | |
Malcolm Peyton | Suite for Solo Clarinet | 1955 |
|
n/a | |
Edward Steuermann | Auf Der Galerie (cantata) | 1954 |
|
n/a | |
Will Ogdon | Four Statements | 1954 |
|
n/a | |
Edward T. Cone | Philomela: Three Nightingale Songs | 1954 |
|
n/a | |
Edward Steuermann | Trio | 1954 |
|
n/a | |
Robert Ceely | STRING TRIO | 1953 |
|
n/a | |
Godfrey Winham | Composition | 1953 |
|
n/a | |
Will Ogdon | Fantasy | 1953 |
|
n/a | |
Godfrey Winham | Four Pieces | 1952 |
|
n/a | |
Seymour Shifrin | Three Songs | 1952 |
|
n/a | |
Will Ogdon | Paris: In Memoriam R.l. - Capriccio | 1951 |
|
n/a | |
Arthur Berger | Duo No. 2 | 1950 |
|
n/a | |
Seymour Shifrin | Composition | 1950 |
|
n/a | |
Will Ogdon | Three Pieces | 1949 |
|
n/a | |
Arthur Berger | Duo No. 1 | 1948 |
|
n/a | |
Edward Steuermann | Seven Waltzes | 1946 |
|
n/a | |
Edward Steuermann | Four Songs | 1943 |
|
n/a | |
Edward Steuermann | Sonata | 1926 |
|
n/a | |
Edward Steuermann | Four Lieder | 1908 |
|
n/a | |
Eric Sawyer | Twelve Piano Pieces |
|
n/a | ||
Niel Sir | Narrative |
|
n/a | ||
Susan Blaustein | To Byzantium | n/a | |||
Susan Blaustein | From Peony Lands | n/a | |||
Godfrey Winham | Sonata For Orchestra |
|
n/a | ||
Godfrey Winham | Nocturne, Scherzo And Passacaglia |
|
n/a | ||
Seymour Shifrin | Rest Sweet Nymphs |
|
n/a | ||
Seymour Shifrin | Sonnet |
|
n/a | ||
Marjorie Merryman | La Musique |
|
n/a | ||
Marjorie Merryman | Four Short Fantasies |
|
n/a | ||
Marjorie Merryman | Companion Pieces | n/a | |||
Harold Oliver | Suchness |
|
n/a | ||
Harold Oliver | Songs of Youth and Age |
|
n/a | ||
Harold Oliver | Sonata for Violoncello and Piano |
|
n/a | ||
Harold Oliver | Leopardi Settings |
|
n/a | ||
Harold Oliver | Earth’s Answer |
|
n/a | ||
Harold Oliver | Concerto |
|
n/a | ||
Edward Cohen | Piano Trio |
|
n/a | ||
Edward Cohen | Nocturne | n/a | |||
Daniel Plante | Duo Concertant for Viola, Piano, and Three Groups of Instruments |
|
n/a | ||
Daniel Plante | Two Songs for Bartione, Alto Flute, Lute, Guitar and Viola |
|
n/a | ||
David Glaser | Stray Light | n/a | |||
David Glaser | Stray Light | n/a |