APNM APNM

ABOUT US

APNM COMPOSER: Edward Jacobs

Edward Jacobs (b. 1961, Brookline, MA) began playing violin at age 8, but abandoned that at age 11—upon hearing a friend's jazz quartet—in favor of the saxophone. Work at the University of Massachusetts, Amherst (B.A., 1984) in jazz performance and arranging (Jeff Holmes) and composition (Sal Macchia, Robert Stern) was followed by study in composition (Andrew Imbrie, Olly Wilson, Gerard Grisey) and conducting (Michael Senturia) at the University of California, Berkeley (M.A., 1986) and at Columbia University (composition with Chou Wen-Chung, Mario Davidovsky, Marty Boykan, George Edwards; conducting with George Rothman) where he completed the D.M.A. in 1993. In 2001 Jacobs began to include electronic media in some of his works. He has since written works for computer-generated sound with clarinet (A Function of Memory, 2001, Beauty Shop, 2005), with cello (al momento, 2002), piano (echoes, shadows, 2008), and for dancers (dis/Connect, 2004). His music, which is primary not inclusive of electronic media, is published by C. F. Peters Corp., NY, APNM and ACA. In 2005 Jacobs’ work as a composer was recognized by a Charles Ives Award of the American Academy of Arts & Letters. The Academy’s citation reads “Edward Jacobs’s music masters the ‘virtual’ and ‘real’ sound habitats and embeds them into a unified and consistent single space with grace, broad orchestral imagination and expressivity. Jacobs’s music is immediately engaging, attractive and intellectually demanding.” Jacobs began teaching at East Carolina University in 1998, where he was chosen for a Teacher-Scholar Award in 2004. His activities have also included the founding and direction of the Annual NewMusic@ECU Festival, begun in March, 2000; and work in the Pitt County Public Schools, collaborating since 2004 with middle school general music teachers in his “Young Composers Project”, which strives to make the creation of music a fundamental part of our childrens’ education. Jacobs’ strongest influences are artists in a variety of media whose work inspires new approaches to his work and open up previously unexplored areas of his imagination.

Email the composer || Visit the composer's personal website

All APNM Works by Edward Jacobs Duration Year Materials Available Sound Sample
echoes, shadows for piano and pre-recorded sound
n/a
2008
score
No
Time As A Fly for string quintet (2 vln, 2 vla, vc)
n/a
2008
score
No
Aphorisms for piano solo
n/a
2007
score
No
When Time for SATB choir, SATB soloists
n/a
2007
score
No
Passed Time for brass quintet
n/a
2006
score
No
Beauty Shop for clarinet and pre-recorded sound
n/a
2005
score
No
dis/Connect for tape alone
n/a
2005
score
No
Soliloquy for solo trumpet
n/a
2004
score
No
Aural History for clarinet, piano
n/a
2003
score
No
al momento for cello and pre-recorded sound
n/a
2002
score
No
A Function of Memory for clarinet and tape
n/a
2001
score
No
Attitude for string orchestra
n/a
2000
score
No
Ensemblespiel for flute, oboe, clarinet, alto sax, bassoon,
horn, trumpet, trombone, tuba, percussion.
n/a
1999
score
No
The Thing With Feathers for flute, clarinet, violin, viola, cello, piano
n/a
1999
score
No
Knowledge for tenor and piano; on a poem by Louise Bogan
n/a
1998
score
No
Blurring the Margins for flute, clarinet, horn, violin, viola, cello, piano
n/a
1997
score
No
Engage the Mountain for Bb clarinet (doubling bass) and percussion
n/a
1996-97
score
No
"I've Shook My Fists at the Sky," Meditation and Agitation for clarinet solo
n/a
1996
score
No
Addressing Wonder for viola, cello, piano
n/a
1995
score
No
At Recess, We Play for flute, oboe, clarinet, violin, viola, cello, bass,
piano, percussion
n/a
1995
score
No
The Fiction of a Glance for orchestra
n/a
1993
score
No
Crossing . . . over for string quartet
n/a
1991
score
No
The Last Crescentbird for soprano, viola, bass clarinet, percussion
n/a
1989
score
No
Where There's A Will for flute, tenor saxophone, percussion, contrabass
n/a
1987
score
No
Microcosm a study for tape alone
n/a
1987
score
No
Building Blocks for three French horns, three trombones
n/a
1987
score
No
2/27/86 for two trumpets, percussion, SATB chorus
n/a
1986
score
No
A Notion for piano
n/a
1986
score
No
Forme, a miniature for orchestra
n/a
1985
score
No
Our Rose for two sopranos
n/a
1985
score
No
Points of View for flute, clarinet, violin, viola, 'cello, piano
n/a
1985
score
No
Leyres for flute, oboe, English horn, tenor sax, trumpet, piano, percussion, bass
n/a
1984
score
No
Three Movements for Piano
n/a
1983
score
No
Trio for Alto Saxophone, 'Cello and Piano
n/a
1982
score
No
Wrong Turn for Jazz Ensemble
n/a
1982
score
No